{"id":15708,"date":"2026-09-16T11:43:42","date_gmt":"2026-09-16T09:43:42","guid":{"rendered":"https:\/\/www.perkele.it\/?p=15708"},"modified":"2026-09-16T11:43:43","modified_gmt":"2026-09-16T09:43:43","slug":"rainbow-bridge-sountrack-of-a-silent-land","status":"publish","type":"post","link":"https:\/\/www.perkele.it\/?p=15708","title":{"rendered":"Rainbow Bridge \u2014 Sountrack of a Silent Land"},"content":{"rendered":"\n<p>Ne \u00e8 passata tanta di acqua sotto i ponti dagli esordi di <em><a href=\"https:\/\/www.perkele.it\/?p=5978\" type=\"link\" id=\"https:\/\/www.perkele.it\/?p=5978\" target=\"_blank\" rel=\"noreferrer noopener\">Dirty Sunday<\/a><\/em>. Oggi lo squarcio elettrico che taglia l\u2019intro arcaico e primitivo di questo nuovo <strong><em>Soundtrack of a Silent Land<\/em><\/strong> dei <strong>Rainbow Bridge<\/strong> \u00e8 una chitarra talmente hendrixiana che sembra piombata dritta da <em>Third Stone from the Sun<\/em>, <em>The Jimi Hendrix Experience<\/em>, 1967.<\/p>\n\n\n\n<p>Bisogna dirlo francamente: non c\u2019\u00e8 nessun chitarrista italiano in giro che abbia interiorizzato, assimilato e partorito un songwriting figlio del celebre artista di Seattle pi\u00f9 di <strong>Giuseppe \u201cJimiray\u201d Piazzolla<\/strong>. Il suo \u00e8 uno stile che \u00e8 riconoscimento, amore e devozione, tutto in uno. Non semplice imitazione, ma prosecuzione, di un cammino tracciato anni fa, che ora evolve e si colora nuovamente, come un arcobaleno.<\/p>\n\n\n\n<p>L\u2019album (strumentale: pubblica <a title=\"Soundtrack of a Silent Land sul sito di Argonauta Records\" href=\"https:\/\/shop.argonautarecords.com\/cd\/808-rainbow-bridge-soundtrack-of-a-silent-land-cd.html\" type=\"link\" id=\"https:\/\/shop.argonautarecords.com\/cd\/808-rainbow-bridge-soundtrack-of-a-silent-land-cd.html\" target=\"_blank\" rel=\"noreferrer noopener\">Argonauta Records<\/a>) si svolge tranquillo e rilassato, come in una jam tra musicisti affini, per espressione e emotivit\u00e0: non tutto \u00e8 <strong>Seventies rock<\/strong>, anche se questo \u00e8 il termine di paragone pi\u00f9 prossimo. <em>Hugh the Cactus<\/em> paga dazio all\u2019<strong>alternative anni &#8217;90<\/strong> (\u201cChe fine ha fatto il mio rock&#8217;n&#8217;roll?\u201d si chiedevano i Black Rebel Motorcycle Club all\u2019inizio del nuovo millennio \u2013 e ce lo domandiamo anche noi ancora oggi) ed \u00e8 la song pi\u00f9 manchevole di una lyrics, tanto \u00e8 organizzata, armonicamente e strutturalmente, come una canzone. Ma \u00e8 solo un episodio. Il resto si tiene in piedi bene cos\u00ec com\u2019\u00e8.<\/p>\n\n\n\n<p>Viene tirato per la giacchetta anche <strong>Brant Bjork<\/strong> in pi\u00f9 di un\u2019occasione (<em>Lama Returns<\/em> e <em>A Silent Land<\/em>), altre volte si respira l\u2019aria delle <strong>Desert Sessions<\/strong> iniziali, dove davvero si dava spazio all\u2019intuizione pi\u00f9 anarchica del momento. Che lineup sarebbe se insieme a loro tre ci fossero Brant Bjork alla voce e Dave Catching alla seconda chitarra? Un sogno!<\/p>\n\n\n\n<p>Ma per il momento <em>Sountrack of a Silent Land<\/em> <strong>non ci fa rimpiangere niente<\/strong>: \u00e8 qui per dimostrare che i Raimbow Bridge, con classe ed eleganza, silenziosamente, stanno rinvigorendo il solco tracciato dal guitar rock da sessant&#8217;anni a questa parte.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Eugenio Di Giacomantonio<\/p>\n\n\n\n<p><strong>Etichetta<\/strong>: Argonauta Records<\/p>\n\n\n\n<p><strong>Sito<\/strong>: <a href=\"https:\/\/therainbowbridge.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/therainbowbridge.bandcamp.com\/<\/a><\/p>\n\n\n\n<p><strong>Anno<\/strong>: 2025<\/p>\n\n\n\n<p><strong>Voto<\/strong>: 7<\/p>\n\n\n\n<p><strong>Tracklist<\/strong>:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>A Silent Land<\/li>\n\n\n\n<li>Gaba<\/li>\n\n\n\n<li>Hugh the Cactus<\/li>\n\n\n\n<li>Goats Everywhere<\/li>\n\n\n\n<li>Shoreline<\/li>\n\n\n\n<li>Lama Returns<\/li>\n\n\n\n<li>Sunrise Moon<\/li>\n\n\n\n<li>A Loving Sun<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>La recensione dell&#8217;ultimo lavoro del gruppo pugliese, artefici di un sound che incrocia guitar rock hendrixiano, alternative anni &#8217;90 e desert.<\/p>\n","protected":false},"author":1,"featured_media":15709,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[17,28,18],"class_list":["post-15708","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recensioni","tag-desert","tag-hard-rock","tag-psych","wpcat-3-id"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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